60

I thought this might be interesting for you, just for something different.  You'll see a picture of grasses below.  This picture is the same one, only with just the heads of the grasses picked out.  I like the purple color of the grasses that I might not have noticed in the mix with everything else.  I like it that such small things can be as elegant and beautiful as anything else.  I love it that nature doesn't measure out its bounty.  It doesn't look for anyone to notice.  It makes the beauty anyway.

We moved out of the house on my 60th birthday.  I had tried to plan so it would not be a heavy move-out day but there is a law of nature that applies especially to summer rental.  It takes exactly as much time as you have. 

When people asked me what I did for my birthday and I said we moved out of the house, they said, “You must be pretty good at it by now.”  Well, that’s true, more or less.  We’ve been doing this for 17 years.  We now have a whole system of boxes that go into the basement, out to the studio and onto the boat.  The dogs have learned that the most important things in our lives are boxes.  They know that we love and follow our boxes.  They have learned this so well that they plant themselves in the car as soon as the boxes come out because they know that big things are happening and they don’t want to be left behind.  They actually refuse to go back into the house until they see the boxes come with us.   

Our lives have a seasonal and nomadic quality, which takes planning and energy.  I keep trying to learn how to do it better.  I have developed a habit of watching how people work.  We have a friend named Larry, and he is without exception, the most productive person I have ever seen.  One time, I asked him to build a little display table for me for the Gallery.  I came back 15 minutes later, and he had materialized a beautiful little pedestal table, with beveled edges and finely fitted pieces of wood.  Judging from that, I’d say he could build a kitchen full of custom cabinets in about a day and a half.  The thing about Larry, and this is what amazes me, is that he never appears to be trying. I think he has worked so long and hard that he carries his knowledge in his whole body.  He doesn’t push himself.  He never hurries.  He doesn’t waste a motion.  The energy seems to well up in him, matched to whatever he is doing.  He organizes everything, down to the way he keeps his van, the way he eats, the way he packs his clothes.  He just turns on his music and off he goes. He rests well, at the beginning and middle and end of each day. He doesn’t get side tracked.  He paces himself.  He does only so much, which is plenty.  I asked Larry to tell me how he works and he doesn’t have a philosophy about it.  He said he used to run around like a crazy person.  He said he never got much done and he never made any money.  He said one day he just decided to make things as easy for himself as possible.

Larry’s work is always fine and clean and beautiful and it’s beautiful to watch him.  I’ve learned from him, the way I’ve learned from photography, that the greatest gift is the ability to pay attention. I think that skill and balance and order and energy and integration and beauty are connected to paying attention; that if I pay attention, all of these things can follow. 

After we finished moving out, we went to the mainland and stayed with my mother and brother.  My mom loves to watch “Fox News”.  I also read a book called “Zen at War”, about Zen’s ideological participation in World War II, including that of esteemed patriarchs in many of the major Zen lineages that have now come to this country.

I thought a lot about whether the role of these teachers made any difference, whether they were leading or following the charge.  They were in a military dictatorship after all, and the emperor was absolute Lord.  There were some Zen folks who opposed the war and they were imprisoned, beaten and killed.  But both the Japan story and Fox News got me all worked up about how ideology and power can work together to create such spectacular suffering, about how it can happen in any culture, about how it distorts the best things, about how it takes so much from people and always betrays them in the end.  It didn't make me feel any better when I learned that the people in Japan starved for another four years after the war was over, primarily because of corruption. 

I thought of a time about 16 years ago.  I was working in Japan, and I took some time to visit and stay at a number of Zen monasteries, including Eihieji, Hoshinji and Myoshinji, some of the founding monasteries in the Soto and Renzi traditions.  I also stayed at one small monastery, a wonderful place that was also a sort of youth hostel.  One day, the head monk had us all dress up in monk’s clothes and go into town for a traditional Japanese begging excursion.  I had been specifically instructed not to say anything, especially not to say “Domo arrigato goziamus”, one of the few Japanese phrases I used all the time, which means, “Thank you very much, indeed.”  But an old woman came out from behind her house to give much more than the small change that people normally gave.  She was sobbing.  All I could do was thank her and imagine her life, imagine what had happened to her in the war, imagine what it meant for her to give so much to an American Zen student.

So after I worried and pondered and enlightened my husband about all of this I went out to the fish hatchery to take a few pictures.  I told myself this was not the time to analyze the problems of the human race.  I told myself to slow down.  I said it was time to rest.  I said I was going out, not to hunt for pictures but to gather them to me, not to spend energy but to restore it and take it in.

Here's the whole picture.

Here are new leaves reaching.

I liked the morning.  I liked the cool, dewy light.  I liked to see the shoots curling and reaching, the tiny leaves unfurling. I liked that all the green still looked as new and fresh to me as it did at the beginning of spring.  I went back to see where the river had been boiling out from under a log the last time and I knew it would still be boiling.  I took its picture five different ways to see if I could match the speed of the camera to the speed of my sight.  I liked what was happening in nature. I liked what would burst out in big and small ways in every possible direction.  I liked how it was closer to the truth of everything.

And the same stretch of river that I put in the blog this spring.  This time, the leaves have filled in and the river is reflecting more green.  This picture was taken at 1/1250th of a second.

Here is another picture of the same river, except this one is taken at 1/10th of a second.  This is more accurate to the way my eyes know the fast moving river... a little more blurred together.

A blue heron in flight at the fish hatchery.  I usually feel fine about taking pictures of these heron because all the fish at the hatchery keep them happy and fed all the time.  Also, there are so many people that come to the hatchery, fishing or walking through, often with their dogs, so I assume they are used to us.  But I've been worried about the heron and their diminishing numbers.  I've wondered if they've had to defend themselves against the Eagles or the Osprey.  This is the first time I've seen a heron with so many missing feathers - the signs perhaps, of a fight.  When I saw that, I stopped taking pictures.  I stopped walking toward the trees where they were resting.  I wanted to leave them in peace.   (As an aside, that blurry smudge at the end of the heron's wing is a swallow, out of focus in the distance.)

I need my times when I can dwell in all the beauty, to see it again and again until I finally decide to trust it.  This is how I rest.  It’s better for me than anything else I do.

I like that it doesn’t belong to any institution, but that it does belong to me and to everyone else, equally and without qualification.  I’m 60 years old now.  I’ve have studied a lot of things and lived a lot of lives.  No one can tell me that I haven’t meditated long enough or that I don’t believe the right things.  No one can tell me that I’m not saved or enlightened or good enough or ready or that I don’t have the right politics or the privilege of knowing what I  know or feel or need.  I know enough about things that can’t be twisted or betrayed or broken.  I know that I belong on this earth and that my life and life itself are the same thing.  I know that life will always care for itself, yearn for itself and make itself into beauty.

Early evening and light fog in Rodman's Hollow.

The Hollow and the dimming light beginning to glow in the fog.  Wilson and Molly need this too.

The Hollow that night.



 


A Place to Stand

What if nature makes no judgments, has no worries, carries no regrets?  What if everywhere, in everything, all the energy from the sky and earth goes into making life happen?   I look out my window at the shad and the blackberries and at all of the scrubs and vines that densely intertwine in our maritime climate.  Where they were bare and frozen just over a month ago, their shoots are suddenly shining through all the tangles and prickles in all of their new, green glory.  That’s where the energy is going.

I, on the other hand, forget this.  I habitually put my energy into forming extraneous concerns.

For example,  I mailed the big lens back to Canon a week ago, this past Monday.  That is, the $11,000 lens I had borrowed under the Canon Professional Services Program with the promise to get it back to them on time.  I used priority, registered mail.  So the lens got to Boston (it was going to Virginia) and sat there for a day and a half.  I went on line and tracked it, sometimes every five minutes.   I called the US Postal Service customer “help line.”  I encountered one of those automated phone systems carefully designed to be a blank wall.  I got mad.  I called again.  Called again.  Called again, until the system finally hung up on me.  I drew conclusions about the entire federal government and the direction of everything in general.   I voiced my opinions to my husband, painting a picture of a future where everything will exist at the pleasure of an infinitely obstructive and impersonal machine.  I considered moving to Alaska and living off the grid. 

The lens was still in Boston on the day that it was due. I called our postmaster who carefully explained that registered mail is secure enough to carry gold bullion; that each package is handled like a precious child of the universe and kept under lock and key; that the 2 – 3 day promise in this context or should we say, "estimate," means… (she said this more professionally but this was the gist of it)… nothing.  Our postmaster went out of her way to care about my problem, even to the extent of researching and calling me back with more information, but could not do anything about it.   I finally called Canon.  I explained the situation and they understood.  In fact, they were extremely nice about it.  They looked at the tracking number and said that it was clear I had mailed the lens in plenty of time.  They said not to worry.  They said (exact words), “no harm, no foul.”  They gave me an extension.  

Problem?  Solution.  I could have skipped all those hours, all that head banging, all that smoke and steam in between.

So I set an intention to preserve and protect my precious state of mind.  I thought of the pure life energy pouring and running through everything.  I said, “It is there for me as much as it’s there for the blackberry bushes in my yard.”  I said, “As vast as it is, it’s completely generative and completely intimate and personal, exactly the opposite of the electronic call-in system of the US Postal Service.”  I said, “I will be calm.  I will skip all the fretting and stewing.  I will match the world.  I will put my energy completely into life-affirming action.”

So do you know what happened next?  I got back to my car with my dogs, in the rain, and could not find my car keys.  I reminded myself that my life was not at stake but I got upset anyway.  I cleaned the car, combed the brush and grasses around the car, re-hiked the entire hike I had just finished.  I finally found them in a strange spot where I think Molly, my golden retriever, had put them.  I also got upset about something with the summer rental of our house.  Then got upset because a good friend is sick.  Then my cousin was upset so I got upset for her sake.  Then I got upset, just because I was so upset about so many things at once. 

Then I worked on my pictures.

I saw how this blue heron let the wind pass through and ruffle her feathers to slow her down for landing.

And how she landed in between the branches without poking her eyes out or skewering her wings.

And how she flew through the shadows with the open field and the luminous leaves in the distance behind her.  And I thought that seasons have always changed like this, that light has always shown through new green shoots, and that birds have always flown like this, since primordial days.

And that is how I calmed down. 

I know it is one thing to aspire to a state of mind and another to achieve it.  I'm glad to have found this practical, physical thing I can do that works for me, this thing that brings me to such peace and wonder.  This doesn't change my circumstances, I mean, we all have things to be upset about, but it does give me a foundation of trust in the natural world, and that gives me a place to stand. 

PS.  These pictures were taken with my regular equipment because the extra special super amazing lens was already glacially working its way back to Canon.  I had been to this same place with that lens the week before and the heron were nowhere to be found. 

I don't want to talk about it.

 

 

 

Perfect

I went to the inner ponds of Great Salt Pond and a Great White Egret had come.  I watched as she stood waiting in the grasses, and then stretched, and stabbed, and got her long narrow fish for breakfast.  Every time.  She never failed.

When I watch the birds, I see how perfect they are for all that they have to do.  Their eyes, their beaks, their legs, and of course every feather. They open their wings and the feathers just follow, perfectly formed and fit and open and working together.  They know what to do, simply by being in their bodies.  Should they fish for a living or take up photography?  They don’t ask those kinds of questions. 

It’s different for us humans.  What if a long time ago, someone just built us and dropped us off and said, “We’ll leave you all here on this winter day.  All the other animals will have bodies suited to their survival.  They will have claws, and strength and speed and teeth and wings.  That will be enough for them, but not for you.  If you go out in this weather you’ll be dead in no time.  So you’ll have to figure it out.  Have a nice day, and I’ll be watching to see how you make out.  It should be quite a show.” 

And it was.  It is.

This was taken this past January, at dawn, from Corn Neck Road, looking toward the breakwater in Old Harbor.  With the windchill, it was 35 degrees below zero.  I had trouble getting out of the car long enough to take the picture, but if you look closely, you will see birds flying above the breakwater.

Or maybe we emerged, step by step, changing or being changed in imperceptible ways that added together to make big ways, just like any creative project.  Something moved us, chipped away at us, placed us in a merciless world and then worked out in us, a way to survive.  We became exactly as smart as our physical weakness required us to be.  And as a result, we have options.  The egret had her fish but I had my camera and I could get into my car and go home.  I could cook my dinner with fresh produce from California. 

Whenever I see the birds, I put more faith in my body.  I see I must be perfectly built for something.  So I ask myself:  “What is inherently human?  What is mine to do?”  And then I make lists.  Short list:  “To stay alive.”  Long list:  “To see, to feel, to walk, to speak, to think, to seek and wonder, to love, to learn, to rest and to build.” 

So I try to do that, and sometimes I’m surprised.  I take pictures I didn’t expect to take.  I watch thoughts I never had before make their way onto the page. Things fit together and organize themselves into concepts and patterns, as they just did right here in this unexpected sentence.  They unfold like feathers when a bird reaches out with her wings. 

Perhaps the same principle that operates in nature also operates in me.  Like, nature creates itself in birds by making beaks and feathers; in me through what happens with my hands or in my mind.  The egret is so good at getting those fishes.  I’d be good at it too if that was all I could do.  I think we make a lot more mistakes than birds, because we’re in a different experiment, pushing forward into things that haven’t been done a million times before.  If the world changes, it will take my beautiful egret a long time to make a new beak, but all I have to do is make a new idea.  This egret can stay in a certain habitat, and only at certain times of year, but I’m so flexible, so generic, I can go anywhere.  I’m free as a human, you know?

At some point, and a long time ago, someone took a saw and cut this tree down.  And the spring floods came, I'm guessing, to the Connecticut River, and this tree trunk floated on the currents and tides across Long Island and Block Island Sounds.  All those forces, all that time, and the random chance that it landed on this island.  But here is something unmistakable.  There is nothing like it... the mark of a human hand.

It makes me happy to make things.  Sometimes it feels like, “This is me.  Everything I’ve ever learned is here in this creation.”  And it might not be the best thing, but it’s true in the sense that it’s authentically from me.  Well, it’s from me and from whatever-it-is-that-moves-and-breathes-me.  It’s what we have invented in our making dance together.  Maybe it won’t be a Thing That Changes Everything, but at least it can join in the vast project of making a world that is constantly being born because everyone and everything is making that happen every minute all day long.

I know we have problems, and it’s hard to imagine what the solutions will be, but I think it is very human to solve problems, and we’re not alone in this, not alone at all, and the best solutions seem to come out of nowhere, and necessity calls them out, and I think that all of nature is behind us in this, being perfect like she always is, and because there is such need, specifically because of that need, there is no telling what will happen now.

Eleanor

Elva, a friend who lives on Block Island, likes to read my blog.  Every so often, I see her in the grocery store or she sends me an email and she tells me what she particularly wants me to do.   Last time we spoke, she said that she loves pictures of doors and windows, because they always tell a story.  That made me think of Eleanor’s painting.

Eleanor Garrett was a member of the Spring Street Gallery on Block Island.  During her time there, she grew from making and selling crafts to tole painting to watercolors and other fine art painting.  She retired from the Gallery, only two years ago, in her early 80's.  For many years, and even after she left, she was a reliable presence.  She bustled around.  She helped at the cash register.  She said that the tree roots in the yard made a bumpy walk for an older person.  She gave her opinions freely, complained freely and just as quickly let things go.  She connected us to our history and purpose.  She enjoyed her life.  She cared about everyone.

When I think of Eleanor now, I remember her courage in the last weeks of her life and think of how her children so beautifully honored her at her service.   I remember how Eleanor told them to tell us that she would always be our friend.  I also remember the time that a woman came into the Gallery and bought every single one of Eleanor’s paintings.  Edie and Eleanor and I celebrated with champagne that night, and Eleanor said, “My mother did not raise me to put on airs.  I am still the same person I was this morning.”   And finally, I remember (and this pleases me), that if you go into the Gallery, you will see a picture that Eleanor painted on the inside of the bathroom door.

I’m glad I got to know Eleanor.  I’m glad the Gallery was there because that is how I knew her and that’s where we grew together as artists.  I remember how she stayed connected, how she didn’t let the changes in her life prevent her from being a friend to all of us at the Gallery.

Eleanor’s painting proudly hangs in my kitchen, and like Elva said, it does tell a story.  It shows the chair and table where her mother sat every day, and the window where she looked out, and the Block Island landscape beyond.  I liked this picture when I bought it, but now that Eleanor is gone, I love it, because now my sight is layering on Eleanor’s, like pages.  I see through Eleanor’s eyes and remember Eleanor, just as Eleanor saw and remembered her mother.  

I grew up thinking in practical terms.  I could only spend time on the luxuries of life, like rest and connection and beauty, when everything else was done.  But there were a thousand things, and I was never done.  Now I think it’s exactly the opposite, that these are the necessities; that if you find one thing in your life that helps you, you have to lock it in.

For the first 50 years of my life, I didn’t know I could be an artist.  It was the island and the Gallery that taught me what was possible.  By being an artist at the Gallery, I saw myself and others grow, gain confidence and courage and skill.  I’ve seen art help with great losses.  I’ve seen it show what matters.  I’ve seen it bring people together. 

I try to imagine my life without the work I do now, or without having known Eleanor and the other people I’ve met through art and through the Gallery, and I don’t think I’d be the same person.  I look at the walls in our house that are covered now with my own pictures and the pictures and paintings made by my friends.  That feeds my heart.  I think of my friends and family and I realize that by showing them what I love, they can see me better, and I can see them. 

It’s so funny because sometimes people think of Block Island as a place to come and party.  I remember being on the boat one time and a young man had left his wallet in his car.  His friends said, “Get off the boat, Dude.  Get off the boat!  There’s nothing to do on Block Island if you can’t drink!”  Well, I’ll just say Block Island is a place where you can come and live deeply.  And art can help with that.  I’m glad Block Island is a place where people can grow as artists.  I’m grateful the Gallery has been here for us at the center of what art has meant on Block Island for a generation and that it made a way for Eleanor and me.  And now many other places are here as well, in part because of the Gallery, and art is alive and well on Block Island.  So it’s all good, and everything is moving forward and meantime I have Eleanor’s picture and it will help me to remember.

P.S.  With regret, I won’t be showing at the Gallery this year because it’s a co-op and I won’t be here enough this summer to do my part.  I'm also getting organized.  I have thousands and thousands of pictures.  I very much want to take some time and look at all I have and the best way to offer it to you.  I will have a show in the fall at HeArt Space on Block Island, and people can contact me through this blog for more information about how I’ll be handling orders.  My "Wave" book is available at HeArt Space and at Island Bound.  I'll let you know as I work out other venues for the book.

A Good Person

This is a picture from Patchaug.  The man's house in this story is to the right of this picture, out of the frame, and the waterfalls are behind me.

I went to Patchaug State Forest on the way to work on the boat this week.  I went in the back way.  There was a big marsh with many birds, and two waterfalls, and bridges over the falls. There was a parking lot next to a little cottage.  The cottage was modest but nicely kept. There were signs of careful attention, and of the particular French Canadian esthetic that came with the workers who once filled the textile mills in Eastern Connecticut.  Everything was clean and freshly painted.  Every leaf and blade of grass was in its place.   There was a lighthouse, about five feet tall, with pilings and real dock lines neatly wrapped around them.  On the pilings were wooden pelicans.  There was a black metal eagle over the garage, and four large concrete lions were sitting on their haunches, guarding the sidewalk that led to the front door.

I got out of the car and I thought that Wilson and Molly would stay with me, so I was organizing my cameras and lenses.  I looked up in time to see the dogs scampering straight to the man’s front door.  He was there with his little grand-daughter.  I hurried toward the dogs, but the man called out, “Don’t worry!  Don’t worry.”  I knew I was in the wrong, but the man’s kindness made me more willing to admit it.  I said, “I should have been paying closer attention.”  He said, “They’re wonderful.  This one is older isn’t he?”  I said, “You have a beautiful spot here.  You’re very kind about the dogs.”  To aerate the point, Wilson chose that moment to pee on the man’s perfect shrubs.  I said, “I’m sorry.”  He said, “They have to do that, you know.”

So I left the man, liking him so much that I wanted to buy the house next door or buy him a house on Block Island so that I could have him for a neighbor, and I thought about the times when it is very important to fight for something and times when it is not important at all.

I have never gotten a bird landing quite from this perspective.  I didn't realize how the feathers in his chest spread out and flatten to slow him down.

I went off to see the birds, and I love the earliest days of spring, when the birds are full of electric energy.  I saw this big guy coming in for a carrier landing. 

I liked the simplicity of this one, especially the little grasses, the texture on the bird's wings and their reflections in the water.

I used my telephoto and got a few more pictures of birds, but then I decided to use my close-up lens, because there were these leaves.   I love these also, these remnants that have stayed through a brutal winter, getting thinner and more transparent, but still holding on.   All this fragile strength, all this staying to the very end with the light coming through, all the beautiful ways in which the beating they have taken has changed them, this is what I wanted to show you.

I can’t show this in a picture but I want you to know that these narrow leaves were trembling, almost vibrating in the breeze.

And then I got interested in the waterfall.  It was yellowy brown from all the tannins, from decaying leaves in the water.  I take so many pictures of the ocean, and I’m not used to water this color.  I considered making black and white pictures, but then I thought, “This is the clear, clean color of a living system.   How can I think that’s not good?”  In any case, I thought it would be interesting… I never get this close to crashing water, not with my camera in my hand.  Here was my chance to see what was happening right inside.  I set the shutter speed to 1/2500th of a second, just to see what that would do, and then I switched to much longer exposures. 

Here's the waterfall, looking across the marsh to the forest.  Those two legs are part of the bridge.

Here's a close up, with me just inches from the water.  The shutter speed is 1/2500th of a second.

This shutter speed is 1/15th of a second.

I realize that living next to the state forest the way he does, that man must get a lot of people, right there next to his yard.  Some of them might not be watching their dogs the way they should, and some of them might leave litter, or misbehave in other ways, and it would be reasonable to expect the he would have gotten a perfectly justifiable attitude about it by now.  He could have put “no trespassing” signs all over the place.  But he didn’t.  Not at all.  In fact, I get the feeling he enjoyed seeing us. 

I’m still thinking about him, because he made me see how it was in this particular case, how it can be when someone decides they can just relax about something.   I took a nice picture from across the pond, with the light on the water, and his yard and his lions and his pretty house.  I thought I’d print it for him and drop it off some time, to thank him.

My beautiful trouble makers.

The Edges of Spring

These pictures were taken in late March last year on the ponds and puddles at the fish hatchery.  I'm showing them to you so that you will know that it was just as cold and frozen at this exact time last year, and also because I'm hoping that if winter thinks we've paid enough attention to her beauty, she might feel better about moving on. 

I'm back on the mainland and will be here until Easter.  I'm sanding the teak on our sailboat (the Hans Christian, the SV Grace).  Sad to say, she's on the market.  We're trading into a grandparent boat, a trawler where our grandchildren and nieces and nephews can come and swim off the back and where we can sit in the shade.  In any case, I'll be sanding almost every day that it's not raining. 

I've been working night and day on my e-book, and now I'm showing it to all the little kids I know.  Then, I've just got to work out ISBN numbers and upload it into the correct formats for Kindles and iPads and other devices, and then it will be ready to go.  (Just in time.  It's a book about snow.)  It's good, after such intensity, to be on the boat and think of nothing but the motion of scraping and sanding all that beautiful wood. 

The urge to work on teak trim (or "bright work" as they say,) has come upon me, but it doesn't come upon me often enough.  If it did, I wouldn't have so much to do right now.  It's a nice time at the marina however, not too many people, so that Molly and Wilson can hang out on the dock with me, and once or twice a day someone can come by and talk, first to Wilson and Molly, and then to me. 

So Bill and I have finally admitted that we are not going to cross the Pacific Ocean in our sailboat.  We're going to stay a little closer to home and family and it's lucky that there is quite a lot to see right here.

Snowy Day

I went out from Scotch to Mansion Beach and back again during the last big snow storm.  Wilson and Molly as you will see, were happy about it.  I loved the quiet and the way the snow made a blanket on everything, even on the sand, right up to the water.  I also loved the way the dense falling snow obscured my sight.  The beach will be covered in people and color and heat and action soon enough, but on this snowy day, I could only see the suggestions of things - just some shapes and shadows and the falling snow and the softest light.  I thought I would let the pictures stand for themselves, and let you enjoy them in peace except to tell you two things:  I am working on making these and other images into a children's E-book.  I hope to have it done in a few weeks.  And also, it should come with a warning because the early indication from children who have been kind enough to read it for me, is that it makes them want to get a puppy.

Learning to Ski

This is my sister Amy, with Anna Belle, her border collie and Wilson, our golden retriever.  We skied together for the first time after my friend Lisa showed me how.

Lisa has been skiing since she was 3 years old, and she kindly consented to teach me.  More than that, she stocked her house with every food she could remember me liking for the past 35 years.  More than that, she told me I was a sturdy person because I gave her dirty looks only on the first day and because I didn’t call for a helicopter rescue on the second.  She also pointed out that the most handsome person on the ski trail (who was dressed like an action figure and scampering UP the hill), stopped to encourage me when he saw my wide-eyed, stiff-kneed, gravity-driven progress.  (I pointed out that he helped me because I reminded him of his grandmother.)  She also had a hot tub, so after we skied, we could run bare foot across her very cold deck and jump in and simmer away while the snow fell down on our faces.  She also gave me hot chocolate.  So in all, a good friend and a successful first skiing venture.

I drove to Moosup and continued to ski with my sister.  We broke a trail, heading out behind their house and the donkey barns, to the open fields beyond. I went skiing every day, at Amy and Stan’s farm, on an old abandoned railroad bed, and at the fish hatchery.  It took some time before I felt secure enough on my feet to where I was willing to bring my cameras.   This was a work in progress.  At one point, my breath frosted on the cameras so that I was shooting completely blind.  At another, the surface suddenly gave out beneath me and I was in snow up to my waist, and I had to extricate myself, with great care for my equipment. 

Here is Amy, being quite the nordic, woodland person.

I was amazed how warm, how hot you can be when you’re working like that in the cold, and I’m not good at it yet, but I can stop myself from falling most of the time, and I can begin to feel how it will be when all of the parts of my body will be working together.  So I’m back on Block Island again and believe it or not, I’m hoping for snow. 

Here are some more pictures from skiing at Stan and Amy's farm.

Anna Belle loved nothing more than to lead us around.  She could run along the top of the wind packed snow on this open field.  She had to work hard in the deeper snow in the woods, and I think that for almost the first time in her life, we began to tire her out.  We were very glad about this in Anna Belle's case.

This is one of Stan's barns, taken from the fields behind. 

Here is the edge of one of their fields.  Growing up in the country, I could take for granted the freedom of the land - the room to breathe as one field opened into another,  the trust that life would reach and tangle into every place where there was space and light to do so, the peace and discovery of the deep forest.  Stan has been opening paths into their woods, so we've been able to get back in there.  The skiing will help us extend our winter range into the fields as well.   I will get out... here on Block Island and on the mainland.  It's easy as a grownup to forget how it was when I could know so much just by being outside.  I can remember.

Here are the donkeys in the barn by the house.  They were waiting in the same place as they were when we set out.

Waiting and Friends and Wonders

This is my friend Lisa's picture.  We've been friends for 35 years. 

I was walking with Wilson and Molly, my golden retrievers.  I started at Andy’s Way and since it was low tide I was able to get through the inner ponds and all the way around to Bean Point.  I went out in the wind and freezing rain because I had seen swans flying and I wanted to see if they would fly by again the next day.

Wilson started to limp.  He sat down and didn’t want to take another step. I knew I couldn’t carry him.   I was trying to rig a harness, first using my orange hunting vest and then my coat and my camera strap but then what would I do with my camera?   Then I thought if we went together through the water maybe that would hold him up but my boots were leaking and I thought a long walk through water that cold would be unwise. 

My cell phone rang.  I had taken my gloves off to rig the harness.   My hands were frozen and I couldn’t get to the phone in time.  It was my mother.  I called back and the line was busy.  I put it in my pocket and it rang again.  I missed it.  I called and the line was busy again.  I called.  I called again.  She picked up.  I said, “What!?”  My mother is hard of hearing.  She said, “What?”  I said, “WHAT!!”  She said, “I was coughing all day when I went to play bridge.  Do you think I’m contagious?”  I said, “I can’t talk now.”

Molly wanted to play with Wilson.  She kept dodging in, nipping at his legs.  I said, “No!” And she kept on until I really yelled at her.  Then she went off at a distance, throwing pieces of ice in the air and playing with those instead.  And I slowly got Wilson back, bending to support him, my big camera knocking against him, coaxing him and fending off Molly.   When I got to the jeep it was so cold that the hatch wouldn’t stay open and I braced it with my back while I put my camera away, carefully brushing off the sand it had acquired when I was stooping for Wilson.  Then I boosted Molly and lifted Wilson into the car.  And then I turned the heater on.  Ahh.  I called my mother who had been worrying.  I apologized to Mom and to Molly.  I talked to my sister who was still with Mom in Florida and leaving the next day to go back to Colorado.

I have written that every time I exert myself the world comes to meet me with so many wonderful pictures.  Well.  I would like to amend that statement, as follows:  Sometimes the pictures don’t come out the way I want.  Sometimes I don’t know what to do.  It was like that all through the fall.

So many things were happening to people we loved.  My sister’s husband died.  There were other big medical events in the family and with friends, and then there were other issues.  I felt like Bill and I were at the center of a storm where everything was whirling around and I was leaving the island because of something huge and then returning to place for a moment of unnatural calm, and then leaving again for something else.

Some of what was happening touched events from the past.  In some ways, I was reliving those times, so whenever I sat down to write, the only things I could think of were things that I wouldn’t say because of the impact that might have on others.  And if I wouldn’t say what was most true for me, what I felt and was living most deeply, then I found I couldn’t say anything.  Even more than that, when I went out with my camera, which has never failed to produce more pictures than I could count, I was suddenly finding nothing.  I was used to going out, and finding eagles fighting with osprey, turtles mating in the pond, waves crashing, birds flashing and weaving in the brilliant, sparkling light.  Now there was nothing.  Nothing at the fish hatchery.  Nothing on Block Island.  There was nothing for me to notice, nothing I was drawn to, nothing in me and nothing out there either. 

I thought that was amazing.  Folks who read my blog kindly wrote to find out if I was still alive, and I kept saying I thought I would write again soon, but weeks went by.  Other than that, I knew that something was going on.  I knew that photography had helped me heal from the very things I was reliving.  I knew it brought me to beauty and abundance and connection when I had needed it the most.  I knew it helped me to my own separate life and to my voice and to my sight and to my own center.  I knew that was enough.  I knew that everything I loved about photography was in there somewhere.  I knew it was reorganizing itself inside of me.  And I knew I was tired.  I didn’t even want to fight with it and everything in the writing and the photography went inward and quiet and down. 

For a month or so, I had a passionate desire to build a camper trailer.  It was a relentless pursuit, not unlike the great snowy owl obsession of 2014.  After that I sanded the boat.  After that I cleaned closets and organized our papers and started early (this is not like me), to work on taxes.  In between, I ran to my family. And of course there were always meals and the house and our other work.  So it’s not like I had nothing to do.  And meantime, I had questions.  Like, once you know something, like all the knobs and fiddles and fine tunings involved in taking pictures, and once you live in a place and take pictures of the same things over and over again for years, what is left to find?

I know about surfers in Hawaii who decided the waves were getting too big and that it was time to go to shore.  Even as they had made up their minds about it, they found that their bodies had decided to go in the opposite direction.  They found themselves paddling out to sea with all their might.  There wasn’t a reason.  They didn’t know anything that would make them do this, but they found it was not in their control.  And then they saw on the horizon, a dim line that clarified the closer it came, until it revealed itself as a monster wave, and two more came, even bigger than that.  They barely made it over the curling crests of those waves.  If they had been closer to shore they would have been killed in the impact zone.

I have always loved that story, because I think it’s about how we just know things sometimes, how it’s important to follow instinct.   Photography and writing have been very helpful to me that way – to go out to take pictures not knowing, or to start with a blank page and start to try to say something, like I’m doing right now, and watching the words slowly work themselves out onto the page, or even as an act of faith, when an instinct says it’s time to stop doing so much, to let things float, to wait. 

 

This is a picture, that with Lisa's permission I made out of the top edge of her beautiful picture. 

I talked with friends and family about it.  Everyone was patient and kind.  I finally wrote what I wouldn't write in public and read it to my cousin Liz, and we both cried, God bless her.  Then I talked to my friend Karen, who said the wisest things about how things morph and change and then she said that after many years of her own journey, she was taking up her painting again.  Then I talked to my friend Lisa who said she would like me to print for her, one of her river pictures.  I said, "I want you to have it really big.  I want you to know how that feels.  It will be good for your development."  And so I did that and in the process, I duplicated the edges of the image to make a canvas "gallery wrap".  That's where you make a mirror image so that you have something to roll around the stretcher bars.  I saw what happened when I did that and then I called Lisa, completely beside myself. 

I cropped and played with it all day, and printed it on three kinds of paper.  It made me happy in every possible way.  I knew what the river meant to Lisa and what it meant when she discovered the integrity of vision in her photography.  I was so happy to have something that was partly me and partly my friend, and to see it was like the thread of conversations with Lisa and with others, that have woven through many years when we have been helps and mirrors for each other.  I knew that this picture came in part out of nature, where it was just itself with nothing extra, and that part was contrived by yours truly, where I made patterns and meanings out of patterns, which is what people do.  I love this thing, what happens when people meet nature, when we take something given and make something human.  I love how that can happen in photography. 

I feel right now I’ve had my rest and that it’s time to start moving again.  I know the only way to know is to do it, to take myself outside again with my camera.  It’s time to take myself to all the same places, and maybe to some new places as well.  (I think that was what the camper trailer was about, which I didn’t build (yet), by the way).  I want to let my feet go where they want to go and to trust, because my feet have always wandered and blundered me into the most amazing places.

That’s been my way of picture taking, anyway, to go around, and follow what I find.  It’s trickier now that I know more about it, because it’s easy to go out with a recipe and do what I already know, and get I’ve already gotten a thousand times.  If I want to follow a formula I might as well stay home and finish our taxes.  And I know that wonder could be out there waiting.  And I would rather have that.

I don’t know what will happen but I know what I want to do now.  I want to put on some clothes that are very warm and very dry.  I want to go outside and remain in a place and let time go by.  I want Wilson and Molly to stay with me, and watch their noses lift together as they smell the wind.  I want to remember that that’s their way of knowing the world, like photography has been mine.  I want to be like them in the way they are so mesmerized, in the way that they give themselves to it and love it so much, in the way that for them, the wind is always new.  I want to see light inside the water, but I also want to look at the places in darkness where astounding colors come through.  I want to see patterns, and when I take my pictures home I want to play with them and see what might be hidden.  I want to tell myself that the connection is more important than the picture; that I just want to be out there in it.

This is the one  where I could see what was natural and what was human made.  I was happy because they were both so beautiful.

I want to print the same pictures over and over on all kinds of paper and see how big a difference little changes can make.  (And this is thanks to my friend Marybeth, who is wonderful photographer and a great lover of photographic paper.)  I want to go back through my thousands of pictures and see what I’ve forgotten. I have recently discovered that the size of a picture is very important.   Sometimes I want to make small pictures that are like icons, like words you can own and hold in your hands.  And sometimes I want them to be very big, so big for example, that when I spread one big canvas wave picture out on a bed, my little nephew joyfully tried to jump inside it.

I want to experiment because I know the power of sight to call directly to instinct.  I want to spend more time with each picture, learning what it has to tell me.  I want to go down and get closer to what I know is running underneath in nature, in my friends and in me; something yearning forward, rich and intimate, complex, unpredictable, perfect, unnamable, difficult, unbreakable, unstoppable and alive.

Here is a close up of the top right hand corner.




A Little Swim

Wilson and Molly in Great Salt Pond.  I have always liked their colors together with the golden grasses.

I have a waterproof housing for my camera and I've been working up my nerve to use it for several months.  The last time I used it, after all my careful tightening and testing, it leaked.  It doesn't take a lot of salt water to totally destroy a camera, which is what happened.  I sent the housing back to the guy who built it and he put in an improved gasket, but the problem is the little wing nuts that hold the housing together.  I don't trust them.  I think that's what happened...one of them got knocked last time.  The housing can't leak if it rides around in a dinghy next to a motor that vibrates all the screws loose, or if someone puts something on top of it, or if I get thrown by a wave.  It can't leak ever, no matter what happens. I need at least one fail safe and possibly another one after that.  So this is a work in progress. 

Meantime, it was such a beautiful evening.  The dogs were in the water and there were white egrets edging the pond.  The fall light was showing everything in gold and copper colors.  I waded into the water, mostly looking out toward the egrets but also being very careful where I put my feet.  I imagined how to fall.  I've read stories about photographers who fell into the water on their backs, their heads submerged, but their arms up, their camera held high above the water.  That was the plan. 

Here are three egrets at the edge of Great Salt Pond.  See the Great Blue Heron?  He's a newcomer I think.  I haven't seen him all summer.  Blue Heron are exactly the same birds as the Egrets, except for their color. 

It was a cool evening with beautiful warm light.  The birds, who can wait patiently fishing for hours, eventually flew, and I followed one, turning as he turned and I got his wings open against the sky.

It's an aspiration of mine... to get the perfect picture of almost nothing but coppery, smooth, atmospheric light.  I love Egrets and Heron in any case, their great elegance, their primordial ways.  You know birds are from dinosaur days, correct?  So maybe if there was a sky like this and a bird like this, this could have been back in the day.  I mean, actually back in the day.

And then we went swimming.  I love to swim and Wilson and Molly love to swim with me.  Sometimes we swim side by side, three dogs in the pond, and sometimes they go to shore and tussle while I'm swimming.  This is the perfect time to do this.  No people to bother on the beaches while the dogs run around.  No birds nesting.  But the water is getting colder.  I have all these little tricks for measuring how how cold it's getting day by day.  It's one thing to get into the water.  It's another to stay.  There comes a day when I don't get used to it, when it just stays cold the whole time.  That was yesterday.   

I love all the things that can only be seen from down inside the water - and I want to show you.  I've been planning how I was going to do this for months, but the limiting factor is that housing.  Maybe I can solve it before the water gets too cold to get in.  We'll see.  I might have another few weeks.  For now I have to be content to get as close as possible.

Sometimes, just at sunset, the wind dies and Great Salt Pond becomes as still as glass.  This was after I finished swimming.  I was still wet, carrying my fins and snorkel and other gear back to the car, with my dogs jumping around me.  I had to shoot quickly, as the light was changing very fast.  I was gingerly balancing the camera, holding it away from me to keep it from getting sandy and salty.  I liked the patterns made by the sand with the outgoing tide, and I also like the touches of smooth light.   I had the telephoto on the camera when I really could have used the wide angle lens.  I didn't have time to do anything about it and had to improvise.  This is actually six pictures stitched together in Photoshop. 




Malcolm Greenaway

Looking up in the tower of Southeast Light.  Taken by Malcolm Greenaway with a "fish eye" lens.  I love this photo and I highly recommend that you go to his Gallery on Water Street (right near the theater) to see it because it's pretty good here but it is incredible in person.

I want to tell you about a good thing.  Malcolm Greenaway wrote an article for the Block Island Summer Times, demonstrating the use of a “fish eye” lens.  He took some pictures of the interior of the Southeast Light and put them in the article.  And he also, by way of illustration, took a picture of the interior of the Spring Street Gallery. 

Malcolm could have taken a picture of his own gallery, but he took a picture of ours and put that in the article.  Malcolm was looking for a room with ceiling beams so that he could show how the fish eye lens bent them toward a circle, and that was foremost in his mind.  But it also shows a generosity of spirit that comes out in other ways.  He and his wife Nancy come to most of our shows and openings and often support the work of new artists.  Malcolm sends me articles and links that he thinks will helpful.  He shows me his equipment and tells me how he does things.  He calls and tells me when he’s seen a good bird, a snowy owl in particular.

Here is the interior of the Spring Street Gallery.  My work can be seen in miniature, around the front door, but what you can really see is the rug.  That's my rug.  And, just to give you an idea of how a fish eye lens works, that odd little shape at the bottom of the picture is the bottom of Malcolm's legs and the top of his feet. 

I can tell you, because his workshop is up above our Gallery, how hard he works all the time.  His attention to every step of the process is amazing.  I would have to say that if there is a picture in his Gallery, you can know that to the best of his or anyone’s human ability, it is absolutely perfect.

I love many things about photography but one of the things I love the most is my circle of photography friends.  They are serious about photography, crazy about it in fact, and all quite gifted in what they do.  And everybody’s work is so different.  It is fascinating actually, to observe all the ways of seeing the world as demonstrated through their eyes.

You can find Malcolm’s article in the most recent Block Island Summer Times.  You can check out Malcolm’s website here: malcolmgreenaway.com/gallery.html .

His pictures of the Southeast Light and of course, many others are available at his Gallery on Water Street, right near the Theater, here on Block Island. 

Here is Malcolm's picture of the tower at the Southeast Light, looking down.

 

PS.  I’m back on the island and all is well.  I’m starting to work through all my pictures from the year because my show will be coming up in September.  It's been raining but it's beautiful again today.   There is a tropical storm coming up the coast so maybe there will be waves.  

Have a good week, everyone.

Science

This is an osprey observing me through her feathers,  and me observing her, upon my return to Block Island.

My niece has a friend, a scientist, and I suggested she show him my blog.  She said, “I don’t think so.  Not just yet.”  She tried to be kind.  “Your blog is…not very scientific.”  My niece thought it might be better to introduce him to me slowly, so he doesn’t run away.  I think this is wise, but not because of science.

I hope you will forgive this little digression into my father's pictures from the Peribonka trip because the story I am about to tell is a little about science and a little about my family and who we are and who we were and especially about my brother Nick and the people who took care of him at the hospital.  It's also about science and love put together, as you'll see. 

This is me in the yellow shirt, then clockwise to my sisters, Amy, Cathy and Mary.  Mary was the only one to notice my brother Nick sneaking up behind.  This is taken at our base camp.

My brother George...remember I said the pike were as big as he was?  Well, I guess that memory is myth as much as anything, especially when it comes to fishing.

But I did remember the driftwood correctly! 

This is my father, having a wonderful time. 

My mother, not so much.

My father took this picture, loving what I love about photography.

One of the wonderful things about photography is that it has many points of entry.  If science is your thing, you can enter there.  Or if you’re into soul or feeling or memories, you can enter that way also.  You can do each thing or all of them together.   In my case, I take pictures the way I cook.  I actually do know things, scientific things, despite what certain people think, but I lead with what I like.  I taste the soup.  Does it need little more salt, a little more depth of field?

I’ve been thinking about this all week, how science and feeling, technology and insight work together, especially in the context of what’s been going on…my brother’s open-heart surgery.  I asked my husband about it.  I said, “How would you want a surgeon to feel when he was touching your heart?”  He said, I would want him to be detached and objective.  I would not want him to be all dreamy with reverence for my human life.  I would want him to do his job.”  So there you are. 

But this same surgeon, this knowledge guy, this procedures guy, this science guy, was in my brother’s room when my mother called.  He answered the phone by laughing and saying, “Nick Bochain’s administrative assistant!”  And he had obviously taken the time to learn about my brother.   “You are going to have your operation and have a normal life.  That’s why we do it.  It’s just like your father.  He had this same operation and then he lived another thirty years.” 

He didn’t have to say that.  I mean, it wasn’t rocket science to get to know my brother and our family and our families’ history and to use that to address my brother’s concerns.  But what a concept, especially today, when doctors often have less time with a patient than the guy in Bangalore has when he talks to you about your phone bill. The doctor had to make a decision to do this.  All of the people who worked with my brother had to make the same decision.  And they did.   They knew him.  I found that extraordinary.  It made all the difference in the world.

Hartford Hospital has a wonderful reputation for cardiac care.  They didn’t cut corners on their professional standards in order to be kind to my brother.  They accomplished all things, not just the doctors, but the nurses, the nurse practitioners, and the other specialists and the people who brought dinner, as well as the people in the gift shop.  They did it with such seamlessness that I have to believe that someone is setting the tone for this, that this is how they function, that they do this all the time.  The way things are, I think this might take as much skillful intention as the surgery.

I think when you know something, when you’ve known it for a while, it sort of gets into your system.  Then you can really do something, because you can use your knowledge as a whole person.  That’s the way a microbiologist can know her microbes; a doctor, her patients; a physicist, her theories; a photographer, her pictures; a mother, her child; a cook, her soup.  You can fit things together.  You can wake up in the morning with a new idea.  You can say, “The numbers looked good, but something told me to run another test”.   You can make a giant leap to a totally new and totally true surprise.  You could possibly save someone’s life, or change the way someone sees the world or give hope or comfort to a person or to a whole family.

You might like to know that my brother got a clean bill on his heart less than six months ago.  His EKG was good.  Now I’ll tell you something I really didn’t know.  An EKG will look perfect if all your arteries are equally blocked, as they were in my brother’s case.  (70 – 80% across the board.  He had six bypasses.)  I can easily imagine a scenario where my brother might have said, “The test said my heart was fine.  It must be indigestion.”  I can easily imagine saying that myself.   The point is that true numbers lie, true science fails, if detached from human purpose and complexity and history and context. 

Goro Yoshida travelled from Japan to Germany in the early 1930’s.  Germany was widely acknowledged at that time as having the world’s finest precision machinery industry and the resulting new cameras, the Leica II and Contax I, were the best 35 mm focal-plane shutter cameras that had ever come to market.  Yoshida-san decided that instead of buying a German camera for what would have been six month’s salary, he could make one himself, and beyond that, he decided there was enough technical skill in Japan to produce more cameras.  He used technology that was then being broadly applied in the military buildup before the war.  Do you know what he named his first camera, at that critical moment, at that turning point in Japan?  Kwanon, after the Buddhist goddess of compassion.  Kwanon or Kannon observes the cries of the world; she can’t rest while there is suffering.  Her compassion helps bring peace into the world.  

After the war, Kannon became Canon and that became the company.  I like to think that Yoshida-san was expressing a courageous point, or at least a hope for a life-giving use of technology.  I know that the thousand reaching arms of Kannon have now become the many million eyes of photographers, who continue to observe and record the myriad beauties and sufferings in the world.  Technology and compassion together.  Paying close attention.  Keeping eyes open.  Showing people what is happening.  Showing them so their hearts and minds can know and respond.  Good science. 

My father went to Japan for R+R during the Korean War.  There, he bought his camera.  He took many pictures of the war, and I'm in the process of scanning them.  There are pictures of tanks and camps and night time strafing.  There are also pictures of things he loved.  Trees and mountains and birds in flight.


PS.  My brother is doing well.  My sincere thanks to all who sent or felt good wishes.  I send you gratitude and happiness.  Thank you, science.  Thank you, people with knowledge, skill, compassion and laughter.  Thank you for your good minds and hearts and words and hands.  Thank you, Hartford Hospital.

This is the same osprey as before, circling her nest, watching me every minute.  My shutter speed was 1/500th of a second.  My aperture was f/9.  My ISO was 500.  My focal length was 400 mm.  This is an example of science.  I know the bird doesn't like me and wants me to go away.  This is an example of insight.




Brother Nick

The summer after 5th grade during my father’s two-week plant shutdown we loaded up the VW bus with fishing gear and cooking stuff and a big tent and army surplus sleeping bags made out of olive-green wool.  We put a canoe on top of the car and drove far north, to Quebec, up near Hudson Bay.  Then we drove three hundred miles on a dirt road to a hydroelectric dam on the Peribonka River.  Then Burt Bouget loaded us onto his boat and we went another 12 miles on Lac Peribonka.  Then we carried our stuff, hopping from tree trunk to tree trunk because 50 feet of driftwood lined the lake, many feet deep, entire trees, tangled and jammed together, the result of all that land being flooded by the dam.  And then we set up camp.  (We all had compasses and whistles and topographical maps and we knew how to use them.  The ground was covered with moss and lichen and tiny wild blueberries.Then my brother Nick and I cut a trail for another mile to another lake and then we portaged our canoe and then we went fishing for Pike that were almost as tall as my brother George, who was seven at the time.  We also found another fish that the Indians called “Wannanish”.  These were smaller, “Wall-Eyed” Pike.

This was Dad’s idea of the best time, to have his little platoon, to have us all organized and zooming around.  I loved it also.  (He also loved it when we sang, which we often did when we were driving, which was much better from his point of view, than fighting, which is what six kids also love to do on a long ride. I sang for 1000 miles straight to keep my Dad awake while he drove all night to get home from this trip.  He might have preferred the fighting.  That’s a lot of “I’m Henry the 8th I Am.”)

But in any case, back at the lake, my mother threatened divorce when my sister Cathy, who was five at the time, developed a fever from so many mosquito bites.  So we broke camp and went to an Indian Reservation where Dad had friends and we stayed at their house and then we went fishing again, for more Wannanish.

I say all of this so you’ll know I grew up liking the forest or water of any kind.  This was where all the good stuff happened.  Anything fun, anything interesting or exciting, it all happened there.  Whenever I went to the big city, like for example, Danielson, CT. (pop. 4000), where we would go to Fisher’s Big Wheel, I would feel sorry for all the people because in such a big city they had nothing to do. 

One time Nick and I decided to go exploring.  We were still young children. He kept saying, “Follow me and you won’t get lost.”  And we went happily though fields and forests through Moosup and Wauregan and winding up actually, in Danielson, where we found Mr. Gebo’s house and he called our parents. 

And on the eve of the Gulf War when my brother George was in the third tank to go in and face the “Republican Guard”, my father put on his flight suit and got out his coffee mug from the Korean War and parked himself in front of the TV.  He watched CNN and never left his chair until the danger was over.  Meantime, Nick and I went miles through the forest, walking through the night for many hours, walking and walking, burning through all our fears and worries about George.  

Nick had a heart attack early this week.  I came off to the mainland and we’ve been going to Hartford Hospital with our mother every day.  We’re about an hour away.  We’re living that hospital life… not at all like it was with my father because that went on for five years.  But it made us remember the way it was back then, when we forgot how life could be without medical stuff going on. I’m not taking pictures right now, but I thought I would show you at least one good picture from a forest.  This is where I go in need.  I go to the woods or to the water. 

My brother was scheduled for triple by-pass surgery today but it’s been put off until Monday.  My 85-year old mom is tired, so I’ll go alone to see him tomorrow and again on Saturday and then my sister Amy will take Sunday.  And Amy and Mom will take Monday and Tuesday while I go back to the Island and then I’ll come back on Wednesday and maybe he’ll come home on Thursday or Friday.

Everybody says Hartford Hospital has a great cardiac unit and I believe it.  I love the way they’ve been treating my brother.  I love it that they all know everything about him and are doing all the right things in a coordinated way.  I love it that they are explaining everything, first to my brother and then to us.  I love it that they apologized when they had to change the day of the surgery because my brother’s blood was still too thin from other procedures.  I love it that a beautiful nurse comes in and says, “How’s my man?” 

They say that people are like islands, connected underneath.  And this exactly how I feel about my brother. So many people are thinking about us, praying and wishing for good things.  I feel that this is a major point in everything, to find out we are not alone, to be human beings together, caring about what happens. 

My brother will be well.


 

 

Two Evenings

Rain on grasses. 

I took these pictures with just the normal lens on my camera.  Too bad I didn't have my close up lens, but that was locked in the car.

It rained all day on Thursday and it started to clear toward sunset, which is the best possible thing because then you get light bursting through in moments when everything is still so nice and fresh. 

The dogs and I went out for a walk, which turned out to be longer than expected because I stopped at Southeast Light and Wilson took off to make friends with some people in the road.  I tore after him, locking my keys in the car in the process.  And so we walked home.

It wasn't far and we cut through our extremely kind neighbor’s yard and saw the grasses, all wet and sparkling.  And then I saw this wild iris.  And this blackberry flower. 

 

 

 

 

 

 

 

 

 

And all of this was very good until the sun dropped below heavy, low hanging clouds with just about the most amazing light I’ve seen.  It cut through with precision, making deep dusky places and brightly lit places and the sharpest distinctions between them.

This is our neighbor's house and that light.

This is our neighbor's little pond.

This picture is from our yard.

And then the sun went down, bright under all those grey clouds.

This is from the next night, at the Hodge Property.

The next night I went out with the dogs to the Hodge Property, again at sunset. (We had been moving out all day, which was work, made much nicer by the fact that Bill is here this year, so could we pass each other every so often while carrying our respective boxes and we could both roll our eyes and make little remarks.  I found this to be quite companionable.)

Sturdy little tree..

It was cool and clear and the light was wonderful.  I took a picture of one of my favorite trees. When the unobstructed wind comes down from the north the first thing it hits is this little tree.  That’s why I like it.  I’ve taken its picture about a million times. 

The other thing I want to tell you and I hope you can feel it, is that while the sun was setting, while the colors were deepening and everything fell into silhouettes, and while I got these pictures, other things were happening.  The wind was softly blowing.  There were many birds… all kinds…gulls and sparrows and egrets and all of them were calling or singing.  I could hear the waves from many directions.  And also because the beach roses are newly blooming and the shad is blooming, the wind smelled like roses.  There was a sweet, beautiful young couple, walking hand in hand, and meeting Wilson and Molly, and talking and laughing.  Anyone could fall in love on this night.

So that was last night.  I knew we’d be moving out today, and leaving the island for a week or so.  On such a night, that seemed like a pretty long time.

We’re out of the house now, because except for one week, the house rented for the rest of the summer.  We had that expected fire drill of a morning.    Without Gabby and Aldo and Janelle, who came and worked very hard today to help us, I’d still be there right now, cleaning and having a nervous breakdown.   But we all worked together and then we were done and Bill and I got to rest.  And do you know what Gabby and Aldo and Janelle are doing?  They went on to other jobs.  This is what people do on the island in the summer.  They work so hard.  They work without stopping. 

Obviously, it is time to declare a Sabbath, then Bill and I will get the boat ready to bring it back to the island, which is where we will live.  In the morning we’ll also unpack the cars.  We'll see family and friends and I've got some photography projects planned and then I'll go back to the island (and so will Bill after a business trip) and then we'll have our summer lives.  I won't say our summers are simple because they're not.  But there will be many fewer boxes, and I'll be able to clean our whole space in about ten minutes and we'll mostly live in the open air and that is the best thing about it.

As the sun set the water turned that luminous blue.  This is North Light and off on the horizon is the mainland.

Little Things

A new leaf.

Rodman’s Hollow was formed 22,000 years ago when melt water from the last glacier came through.  The deep hollow itself was likely formed by a giant ice chunk so big, it cut through layers of sedimentary clay, exposing a layer of sand below.  (That allowed the water to drain away and is why Rodman's Hollow is a deep, cup-shaped valley rather than a deep, cup-shaped pond.) 

I went there a few evenings ago.  I was tired.  You already know this because I’ve been going on and on in every post about how we are moving out of our house at the end of this week.

I went down into the Hollow. The sky was soft.  The light was soft.  The air was soft and down I went and I was the only person and the paths wound around and down over stones and branches, turning but always down.  And I began to look for pictures.  First I saw green leaves.  The new leaves above looked like they were coming out in order to fly away. 

And then I saw the shad buds opening…

This is shad.  Very famous on Block Island.  It fills Rodman's Hollow.  In a little while there will be so much shad in bloom that the Hollow will look like it's covered in snow.

There were layers of green… tangles leading to thickets, all in different early stages of blooming. 

These vines are dry remnants from last year’s growth, draping or falling down like hair or like a waterfall.

Here in the Hollow, I felt like a creature in my own place.  And my mind left that other world of cleaning and closets and cupboards and lists of things to do.  I didn’t hurry in this place.  I didn’t have to organize anything.  I only had the chance to notice the order that was already there. 

And of course I had Wilson and Molly with me.  Here is Molly being a good girl and coming when she is called.

I can’t tell you how much I liked this…how happy it made me, how it softly soothed and harmonized the frayed ends of my mind.  I just looked for light and focus and the path brought me deeper and deeper down.

Here is Wilson, thinking about it.  I wanted you to see the layers and layers of green in the Hollow.

There are many dramatic places on Block Island…big places to see long vistas and the ocean crashing and sparkling.  But sometimes it’s good to go where small things are happening, small leaves and blossoms in their millions and millions, coming out quietly and (almost) unnoticed in the perfection of their new green beauty.

Another new leaf.

More shad.

A stand of wind-shaped trees in the Hollow.

Elva's Trees

A great old tree in Halifax, Nova Scotia, taken in August last summer.  Abundant and green in the full glory of summer.  Something to look forward to.

Elva stopped me in the Block Island Grocery (the BIG) this past winter to tell me how much she likes my blog and how she particularly loves it when I include pictures of trees.  I decided right then that I’d do a blog about trees for her and I've been waiting for a good time, which is now.

This picture was taken last November.  Oakland Forest is an old growth forest of American Beech Trees in Middletown, RI.   I went to visit when my brother Nick and I went to Newport for this 60th birthday. The forest was purchased and…

This picture was taken last November.  Oakland Forest is an old growth forest of American Beech Trees in Middletown, RI.   I went to visit when my brother Nick and I went to Newport for this 60th birthday. The forest was purchased and preserved in 2000.  It's small and kind of scrubbly actually, but it's the only old growth forest in Rhode Island.  People worked very hard to save it.  Some of the trees are 300 years old. 

Elva likes things to show their age.  She thinks the true beauty is in the wrinkles on a woman's face.  She likes it that tree bark grows deeper and richer with years.  She likes things to be what they are...weather worn and unadorned and complicated and enduring… more than enduring… bursting with life through all the many twists and turns.  I agree with Elva, especially about trees, and as I am certainly getting older, it is good to more fully embrace her definition of personal beauty. 

My life is still busy like it was last week.  And company is coming… a good friend I’ve known for almost 30 years.  And she's bringing her friend. 

I plan to rest when my friends come.  Or more accurately, lapse into a coma.  I can rest into this friendship.  I can always zoom around again on Monday.

Here's a little contrast for you, taken on the same trip to Newport.  I believe that people actually have to shape these trees by hand.  They have to climb up there and cut them.  (Don't ask me how they keep track of what they are doing.  I don't think I could do that.)  That turns them into story-book trees.

It’s been good to go back and pick out tree pictures from the many that I’ve been saving for Elva. It’s good to see the light coming through leaves and to see the wonderful forms that trees are so good at making.  I like to see that the myriad details have taken care of themselves.  I've been working on these pictures all morning and the longer I look at them, the better I feel.  My mind is slowly unwinding from its over-compressed condition.

A tree on my sister Amy and brother-in-law Stan's farm.  I don't think anyone has been up there, trimming this tree.  It definitely shows the marks of a long life.  I think if it goes much longer it may turn itself into stone.

This tree came down a big storm in 2011.  I love the red wood grain and the cobalt blue interior.

I’ve got so many more trees to go and see.  They’re beginning to bloom right now and that’s a nice thing… to know there are more pictures out there waiting.  Next week… while it’s still spring and things are still budding, I will make the rounds and visit all my known good trees on Block Island.  I can make time for that.  I will.

A really nice thing… a wonderful thing about living on Block Island is that someone will stop me in the store and tell me they like my pictures.  And then they’ll tell me what they see and love about the world in their particular way.  And then I’ll think of them when I’m out taking pictures.  And then I’ll feel like I'm part of this community and that we love the same things together.

 

PS.  My friends called.  For some reason they would prefer not to drive seven hours from Delaware to Point Judith and then take a bumpy ferry ride to sit on Block island in the rain that is prophesied for this weekend.  I will have to lapse into a coma by myself, but I'm sure I can squeeze in a few pictures.

Tree growing in the marshes of the James River, near Williamsburg, VA.  Taken a few years ago when I was visiting my brother George and his family.   Very big and stately and Virginian. 

Energy Management

Water falling in Savoy, Mass, near Lisa and Bill's cabin. 

I am busy right now.  We move out of the house for summer rental on June 8th.  Because it’s a maritime environment, every wall, ceiling, and floor is washed, and all the bedding and slipcovers, and then both offices are converted to bedrooms, everything of ours in the kitchen, and in bureaus and cabinets is squashed into lock out closets.  All the stuff that in my impeccable system of housekeeping has been piled in corners and left to breed and multiply through the winter has to be decompiled and dealt with.  There is an electrician coming today and we’re standing by for the itinerant appliance repair person who comes from the mainland and whose time is more difficult to get than let’s say, the Pope's. 

In addition to that, this is the narrow window of time for many much loved people to come and see us.  There were four people here last weekend.  There are six people here right now.  There are more coming the day these folks leave, and then two more and those may overlap with two more, in which case our neighbor will kindly allow us to house the overflow, and then there will be four more people over Memorial Day weekend and then we have two weeks until we move out. 

Not much effort.  A lot of force and power.

Oh yes, and then all my pictures have to be planned and made and matted and framed at least for the beginning of the summer art season.  The Gallery opens on the 23rd of May and the building has to be finished (Becca, Eileen and I have been painting, and Jerry has been doing construction) and there are innumerable meetings and many, many details. 

How am I going to get this done?

My Dad’s father used to make his own shoes and tools.  He worked pressing clothes during the day and worked on his farm in the evening.  There was economic necessity but there was also an ideological component.  There was something morally wrong in not doing everything yourself, unless you had children, and in that case it was definitely wrong if they were not doing everything with you.)   My father used to take copper, coat it with two-part epoxy and wrap it with electrical tape.  (My father loved two-part epoxy.  Everything in our childhood seemed to involve two-part epoxy.  Or duct tape, preferably smuggled out of work.)  That is how he made his own wire for the boat and I remember holding it for him by the hour so he could wrap it.  This, instead of going to the hardware store and buying some.  We were not “parasites” - lazy, privileged people who didn’t even know how to make our own wire.  We were self-sufficient people living in America, a free and democratic country where everyone was equal.  (The boat would be ready in August or possibly September.) 

So I tried to do everything myself, with a certain righteous strain, as if my personal worth or even my right to be on the planet could be measured by how overworked I was.  But over the years I have learned that it feels so much better and we actually do a much better job when we ask for help.  So Gabby (God bless her and keep her) and her folks (ditto) have been cleaning, and Nick (ditto) has been working in the yard, and Becca (ditto) is going to help me paint, and Larry (ditto) is coming to do some construction and Bob, another photography friend, is helping with broken screens and wobbly furniture, simply out of the greatness of his heart (ditto, ditto).  As a result, we are in better shape right now than we have often been three days before we move.  So I have help.  I have plenty of help.  What a concept.

This has left me with time, I wouldn’t say with an abundance of time but with enough time to work on my pictures.  This has also changed through the years.  Going out and about with a camera around my neck is part of my life now.  It’s just what I do.  The side effect of doing this is pictures.  So now, there are so many pictures and I have to choose. And once I choose I have to make them up.  There are papers and inks and the size and shape of each picture, and matching mats and frames and glass or plexi.  Controlling all that is a little like doing taxes.  It’s easy to get lost in the weeds.   So I am taking the time to develop a master plan.

In winter, on Great Salt Pond, it's a little less busy than it's about to get immediately.

Among other things in my former corporate life, I used to be responsible for “performance management” in my company.  I used to think a lot about this… how to get a whole bunch of people marching quickly and efficiently in a planned and measured direction.  I would go to conferences about this.  I would run home and make up forms and manuals and training and incentive programs.  I found the conferences a little upsetting.   People were paid a lot of money to get all worked up about performance management concepts.  I thought that there was too much about going faster and more cheaply and too little about what we were doing and why we were doing it. I remember one time coming home and saying that these systems would have been very useful to Adolf Hitler, that great performance manager. 

(I happened to be in a doctor’s office and I picked up an article in Time magazine about suicide prevention.  The article said it would be so much better if the people who were at the point of suicide could be reached closer to the beginning of the downward spiral, rather than waiting for them to make a call from the emergency phone on the bridge.  They said it would be much more cost effective for the whole system if they could find a way to do that.  I thought, “cost effective?” It just killed me how automatically that was written, how deeply that has been driven into our cultural water table.  Upon reflection, I thought maybe this was social worker lingo… from people who were used to having to justify what they do to the people who pay for their programs.  I know that game, sneaking human values into corporate language, but I imagine a world where the undisputed bottom line includes the value of being alive.)

I used to measure life, especially at this time of year, in terms of “Things to Do.”  I would make a list and try to get through it as quickly as possible.   But now, because of help, I have the pure luxury of stepping back a little.

And here we were in March a few years ago, everything about to burst out.

I’m thinking about the context in which I work:  Where are my tools… what is my way of being organized?   I’m thinking about my energy:  Do I need to step back or rest for one minute right now… do I need to say “no” to something?   What feels good about working?  I’m thinking about my purpose.  Why am I doing this?  What is precious?  

I’m older.  I can’t blast myself out of a canon and do two weeks of work in two days.  (Plus, that requires cramming a lot of stuff into my closets and my closets are already full of other stuff.)  Plus, the things I want to do now require consistent effort and emerging, clarifying purpose over an extended period of time.  So I need to keep working on context… tools and places and practices that will carry me along.  And also, this is something… I used to work as if it was the product that mattered… not what it took out of me to make it.  Now I matter more - my life matters more.

I used to go around with my hair on fire as if I was always in a life or death situation.  Well animals are in a life or death situation and they rest whenever they can.  (Great White Egret on Great Salt Pond.)

I want my pictures to fit together.  When people come to see my part of the gallery, I want the whole thing…the wall, the bin, the book, the portfolio to give a coherent experience. There are the pictures for now and then I will have my show in the fall, and that will be a different experience.  My niece Elizabeth is going to help me with the matting and framing (she is very good at this) and that will leave me time to do one thing that I never seem to get time to do, figure out how to market my book and if I’m going to do any advertising.  I will.  See, that’s the difference between having help and not having help.  I will have time to do this.  I’m often working right now, from five in the morning until ten o’clock at night.  (I had to tell you.  I’m still my father’s daughter.)  But it’s fine.  I came in from the studio the other night.  Bill said, “How was the commute?”  (I used to drive three hours a day.)  I said, “Oh, it was terrible… you know, weeds in the path and everything.”  

There is a Navajo saying.  “If you want to go fast, go alone.  If you want to go far, go together.”  I am learning who can be trusted and I’m asking for advice and help.  I am spending time on the context and process and purpose of working and I feel that my life matters as much as the output itself.

Yesterday I cleaned the house, prepared bedrooms, made dinner, took the dogs for a walk, wrote some stuff for the gallery, welcomed guests, took a few pictures, moved all my matting and framing materials, ordered more materials, paid bills, printed pictures, talked to a friend and photography client and to the electrician and the appliance repair person, and locked myself out of the car… and the funny thing is… I never felt like I was working.  I basically felt like I was doing what I wanted to do.  Why do I want to do this?  For my life.  For the lives of other people.  I'm not alone.  We're in this together.

It’s five o’clock in the morning right now.  The sun will be coming up soon.  It’s orange and red and purple across the north and east horizon.  The water is glowing blue and silver through a tangle of newly budding trees and bushes.  And I’m not getting up to take its picture.  I’m enjoying it very much in any case.  And Bill is up and making coffee.  Coffee.  Very nice.

North LIght

Sooner or Later I was Going to Have to Write About Puppies

He was mildly interested in me, but far more interested in falling asleep, which he did about one second after this picture was taken.

Diane with puppies.

I met Diane six years ago.  I was looking for a B+B in Massachusetts that would allow me to bring Wilson.  It was kind of random but I picked her place, The House in Pumpkin Hollow, in Conway, Mass.  I was pleased to find a relaxed welcome in an old time country Victorian with the most interesting prints and books everywhere and beautiful large windows and jewel colored walls.  I also found a congenial golden retriever friend for Wilson, and a wonderful friend for me. Diane has a PhD in Sociology from the New School in New York City and was an operations expert for the Mayor’s office for City of New York and the Director of Litigation Support for the NY DOT (That's about traffic tickets!) for ten years.  It’s a pleasure to watch her intelligence and operational, organizational skills applied to making my breakfast. She does make the best biscuits on the planet, but of all her surpassing skills, the most surpassing of all is her ability to grow golden retrievers.

This puppy is blurry because she is still in the process of tumbling off of her mother's back.

Every so often you find a person who is built to do exactly what she is doing and this is true for Diane with her puppies. She’s got it down to a science, but the best thing is how she loves them.  She’s just so happy to sit with each puppy and with all of them together.  She does it by the hour.  As a result, these are the roundest, calmest, most well-socialized puppies I’ve ever seen.  

Brother Nick and I went up to visit her last week because I had to see her litter. There were only three puppies – an unusually small litter for goldens. They are five weeks old. They’ve all been sold and will be leaving in a few weeks.  I have no doubt that by then they’ll be speaking English and possibly a second language.  In any case, it was impossible for me to be unhappy while I watched them tumble around.  I am quite pleased to show you her puppies.

 

A prior litter and a little snooze.

PS.  Diane will be raising another litter, probably, next spring.  

PPS.  Diane is an excellent writer and would welcome guests to sit by her fire and write.  Diane is irreverent and warm and liberal and wise and articulate. She can be reached at:  http://www.pumpkinhollowhouse.com/.

PPPS.  My entire family prophesied that I would come back with one or two puppies.  I did not come home with puppies. 

This is one of the new puppies with River, his (or her?) half brother.

Working hard to get up to mom.

Because there are so few puppies, Jonesy often nurses standing up.  So we are able to see how happy they are about it. 

Here is Jonesy with one of the new puppies. 

This is just to prove I haven't gone completely Hallmark.  This is a little cheesecake shot of Jonesy when she came to visit Block Island as a puppy.  Jonesy said it was alright to go with this picture... it is integral to the story after all.   The dog on the right is Molly at about one year old.

This is from a prior and obviously much larger litter.  Different mom.  Molly is one of these puppies.  Maybe the second, lighter one?  (As an aside, Diane and her friend painted this cool pattern on her kitchen floor.)

This is from a prior and obviously much larger litter.  Different mom.  Molly is one of these puppies.  Maybe the second, lighter one?  (As an aside, Diane and her friend painted this cool pattern on her kitchen floor.)

Another picture from the same litter.

This is Jonesy as a puppy, Molly at one year old, and Molly's brother Barkley.  All at our house on Block Island.

Lucky

I went out to take pictures on the west side of the island.  The colors were rich and beautiful…more beautiful because with all the dull skies we've been having, I had almost forgotten what evening light could be.

The next day, April 9, was the seventh anniversary of my father’s death, so of course he was on my mind.  I remembered how he loved it here and how we loved taking pictures together.  I felt grateful and lucky to have had so much time together in such a beautiful place.

I went out in the morning and it was beautiful again.  Mornings like this normally make me happy but this time I felt more than raw, more than vulnerable, more like kind of pulverized.  I wanted my father to be here.  

 

 

 

 

So I lived with those feelings for the day.  It wasn't the best day to have to finish our taxes, but I got them done, well... basically done.  Done enough to tidy them up a bit after the Poetry Project this weekend. 

I will try to say how it is for me.  When my father died, there was a gathering of forces.  There were so many changes inside of me.  Deep, deep rearrangements.  What had been external to me - things that I had known about my father - were now inside of me.  There is loneliness in losing my father and sometimes I miss him so much, especially when I'm taking pictures, but there is also a sense of wholeness, and also some strength or courage, maybe.    My life, that started with my mother and him, and is grounded in them, is taking its own direction.  

My father was at his best in nature.  He took delight in every little thing that happened, every little thing he found.  When a wave was splashing or falling, he wanted to open his mouth and taste it.  I feel all of that, alive and well inside of me, and growing.  And his eyes were exactly the color of the ocean.  And those are my eyes also.

PS.  My friend Karen Capuciati and her sister Kim have a wonderful blog called, "In Care of Dad."  It's about caring for loved ones in the face of serious illness.  They have published an excerpt from my blog in their post this week.  Their blog is a wonderful resource.  You can find it at incareofdad.com or here. 

PPS.  I like this picture.  I took it the same night as the first ones but it was too big to fit up at the top of this post.  I didn't want to leave it out so I'm putting it here.  I also want to mention that the evening pictures are from the same place as the pictures for the blog post, "Wilson and Molly and the Wind".  That was back in January.  What a difference kinder weather can make. 

The wind had blown the fog into vertical streams that caught the setting sun. 





Something Difficult

Another picture from the same night I wrote about in the last blog post.

You know those beautiful unexpected pictures I put in the post last time? I didn’t tell you something else that happened because it was so difficult.  I’ve been thinking about it all week.  On one hand I thought, “People’s lives are hard enough."   And then I thought, “That’s precisely why I should say it, because it is the truth, and the truth is what people deal with.”  It was unfair I thought, to go around in sunshine all the time, like beauty, beauty, blah, blah, blah and not say something that was important to the story of that evening.

So here it is.  While I was taking my pictures the dogs kept working the same spot at the edge of Sachem Pond.  They were breaking the ice around something and then they started tugging at it.  They finally started pulling it out of the water.  I saw what it was, a dead baby deer that was under the ice.  I saw its delicate ribs and the darkening of the water and the mixture of flesh and bone and teeth exposed because its little body had been there for some time.  I said, “Oh….no.”  And I called Wilson and Molly and I loved them because this was very special to them but they left it for my sake. 

I’ve asked myself about it because I said in another post that difficult things are also beautiful.  I can’t say this was beautiful.   I can say it was held in a beautiful night, but the actual sight was a shock and then sadness with a certain tender aspect.  

All the time I keep holding the image in my mind... I keep returning to it.  And it is not just for the deer, but for all of our difficult things…I keep thinking of my friends, many of whom have had recent losses, but it is also of all of our losses…the fact that they can even happen, the fact that life is made this way. 

These two pictures are of Japanese Iris, taken on black velvet.

These two pictures are of Japanese Iris, taken on black velvet.

Now I’m thinking maybe I can show you something better than I can tell you.  This is out of a series on some flowers I’ve been working on… just some ordinary flowers, just like any other flowers, but as beautiful as anything.  If you look closely and especially at the second picture, you’ll see just one or two spots where the edges are curling.  This iris is already dying.  In fact, by the time I was done with the shoot, it was in pieces.  I thought about getting new flowers and starting over, but I felt that the dying edge was also important, or that the flower was more because of it.

My friend Lisa, who has had her share of grief, says, “Everyone loses the same thing, which is everything.”  And, “Sadness is never far from me.” and, “Death, when it comes… It teaches you what it is.”  And then she goes out to live her heartfelt and honest and generous and courageous and exuberant life.  (Her comments were part of long conversations we've had over the years.  We've been through a lot together.  I'm sure I don't have to tell you how important this good friend is in my life.  She is, I believe, going to post a comment when I publish this blog.  It will be worth reading as she is loving, articulate and wise.)   

I can only say that I know it is difficult to find a person who isn’t grieving and that grief comes in many forms.  There is grief like I have for my father, and as big as that is, I would say it is an easier type of grief.  There is grief out of order or grief that leaves no place or no future or grief that includes the destruction of love or trust or hope or identity or history or dignity or faith in anything. I know that grief can be like waves or like fire or like a frozen lake or like falling.  I know that answers and no answers come to each person in his or her own way and time.

I like to notice my breathing.  I like to watch a breath going out and the next one coming after. I have lived my whole life like a watch dog and I like to notice that something is happening, that I don’t have to do it, that something is breathing my life for me.  I find it restful, and encouraging, and the opposite of being separate from anyone or anything.

I also do my photography.  If you haven’t noticed, I like it a lot.  It’s become my way of living... to be out in nature… seeing… to cooperate by seeing and working with the things that are offered… to join life in this way.   This is what I’ve come to stand on.  It’s not just the beauty… it’s the implication of beauty.  I feel if I want to understand the things I don’t know… I can look at the things I do know.  Because I have seen that the universe is congruent… it operates in similar ways at every level that I can perceive.  So I’m going to say if the life I know is beautiful then the “bigger life”, the life that includes both birth and death…that must be beautiful also.  

I’ve been thinking about life getting bigger and bigger the way I talked about it last week, and I also watched a show on TV in the middle of the night:  “How the Universe Works”.  It told me how the iron and water in my blood were formed over millions of years during a supernova of a double star that happened billions of years ago, and that the gold in my wedding ring was made in an age before that, in another supernova, this time from a single star.  Everything we live in, everything we are...was constructed over eons and with incomprehensible violence.  They said this on TV…on regular, secular, non-political TV.  Scientists said it…that we are that energy… that we are those stars, down to every single molecule in our bodies. 

This is the Sombrero Galaxy  (M 104).  Credit: HST/NASA/ESA.

They said that solar systems, galaxies even, can be destroyed… that it’s happening all the time … in black holes and quasars and places where stars are flung at millions of miles an hour and in explosions that equal the energy expended in the entire rest of the universe.  They said that our solar system is looking directly “down the gun barrel” of a potential quasar, which is set to go off any time (any time in astronomical terms is now or in several million years).  The program said in fact, it could have already happened, and we just don’t know it yet, on account of the distance and time it would take to get here.  It also said not to worry, because if that were the case, it would be over so fast that we wouldn’t know what hit us.  I said, “Well, that would take care of my insomnia.”  And I said, “Oh, thank you very much.  This is just what I need to know at 2 o’clock in the morning.” 

There are all these thing…all these big, big things…and still, this little deer is under the ice… and this one death matters to someone… to me… I saw it…

These are things I don’t understand, and I will admit that I spend a good bit of time thinking about them.  I live with my questions… wondering what I could possibly tell you about such large and tender things… how I could avoid being trite or intrusive… how I could respect your losses and the way you have to live with them right now.  I admit that my body or my sense of being keeps rooting down…wanting… feeling its way a little further into these questions… and meantime I keep breathing.

It will be the seventh anniversary of my father’s death in April… and now is the anniversary of the time when we were all going through it.  It was difficult… new parts of my dad’s body not working… new lowering of hopes and expectations… and new exhaustions and new sufferings… past anything we ever thought we could handle and then past that.   And we had to say yes to everything because he was going through it and we had to say yes to him. 

So he was dying and we were dying with him and then he kept going and we came back.   I learned I could function on two hours of sleep and go into the ocean (in Florida) and the ocean would take some of my exhaustion away.  I learned that little things matter as much as big things.  I learned how people made a difference… when everything was so raw and every moment so precious… how brief words and kindnesses still shine on me as greatness and wisdom... and how utter stupidity, and the damage it did, was always in the form of personal smallness disguised as adherence to procedures. 

This picture is called, "Remembering Dad".  I took it on Block Island, in February before he died in April.  It was very cold and the wind was blowing, blasting me with sand.  It was on this walk that I gave up fighting for my father's life.  He was in a coma in March and I flew down to Florida and got to the hospital at midnight.  I was told that he wouldn't live out the night.  I walked into his room and said, "Dad, I've got pictures."   He woke up.  He said, "Watcha got?"  He saw this picture and many others, including many waves and deer.  He also, and this is more to the point, lived a few more weeks and he saw or spoke to all my brothers and sisters and also to his grandchildren.  We took him out on a dock to see the ocean just days before he died.

I was of course zooming around, trying to "fix it."  He was in his chair and looking out the window.  He said, “Gracie.  Stop trying to entertain me.  Look at the sky.  It’s so blue.”  That has helped me a lot… to know at the end of his life, as he was edging over, the blue sky was good for my father.   The thing itself… the simplest thing… a most fundamental and obvious thing about living on this particular planet… the only thing left for him when everything else was taken away.  That was enough for him.  That and his courage… my whole families’ courage during that time helped me afterward and it still helps me now.

This picture is called "Now".